Sunday, June 16, 2013

It's a flashback for her, not us

I watched season 1 of Continuum over the past few days, and I'm having a terminology issue. We see scenes of Kiera as a police officer in the year 2077. These scenes are her memories, so they are flashbacks for her. But from the audience's point of view, these scenes take place about 65 years in the future.

Do we still call these scenes flashbacks since the show is from Kiera's point of view? Or is there a better word?

Friday, June 14, 2013

Take away the suit

I started watching season 1 of Continuum and the fourth episode, "Matter of Time," used one of my favorite television tropes: taking away the superhero's power and seeing what she is like without it.

The main character, Kiera Cameron, is not superhuman but she has a technologically-advanced suit that gives her an advantage over ordinary police officers. She uses the suit to run scans, look up information, and protect her from harm.

In scenes that take place in the future, the audience sees that police officers rely on technology to do their work. Optical cameras record everything the officer sees and the suit offers a variety of tools to fight crime. The police officers actually learn to repress their instincts and gut feelings in favor of gathering information through their enhanced suits.

Kiera operates in the same way when she travels back to 2012, but in "Matter of Time," her suit shorts out, and she loses access to the suit's capabilities. She tries interrogating a suspect and walking through a crime scene without her technological enhancements and finds that she likes doing the work that way. She says it "feels good" to act on her hunches and listen to her instincts.

Taking the suit away gave her the opportunity to see that she can be a police officer without the advanced technology (which is her superpower). She learns to adapt and becomes confident in her skills as an officer. The character learns about herself and the audience gets to see great character development.

Monday, June 3, 2013

Evernote for writing

Someone asked me how I use Evernote when I write fiction. Here's what I do.

I keep one notebook for all of my fiction, and then I have a note for each story or idea. Each note basically looks like an outline and I have sections for characters, locations, and plot ideas. I add to notes as I write stories so that I have a quick reference. That way, for example, I don’t have to skim the whole story to find the name of the cafe where a minor character works. I make these kinds of notes in Evernote so that it’s faster for me to check details as I’m writing.

One fiction notebook works for me because I use it as a reference, but if I used Evernote for planning, organizing, and even drafting a story, then I would use one notebook for each story and have notes for characters, research, plot, and ideas.

I would do something like this:

Create a new notebook and name it the title of the story (or a working title…I always use working titles because I never know what to call something until it’s finished).

Then create notes.

One for the plot outline. I don't like planning out every detail beforehand, so my outlines are basic bullet points about the beginning, middle, and end of the story. If you like more detail, your outline might go chapter by chapter. If you want to set yourself on a schedule, include deadlines to complete each part.

I like making my outlines manually, but there are outline and number list buttons in the toolbar that you can use.

image

There is also a to do list button that you can use to make lists (maybe for things you need to research) and then you can check off items as you complete them.

image

Characters. This note includes physical descriptions of the characters (and possibly photos of what they look like) and comments about their personality, past, friends, family, goals, motivations, and anything else that’s important.

Locations. I don’t know about other people, but I like keeping track of characters and the plot by what happens where. I list and describe the major locations/settings for the story. Maybe the main character’s house, school/job, friend’s house…wherever things are happening in your story. Include photos if that’s helpful.

Progress. If you like keeping track of your writing progress, you can make a table directly in Evernote.

image

Make columns for the information you want to keep track of. Date, Number of words written, Chapters completed, Time spent writing…whatever you want. Here’s an example.

image
Click to embiggen

Ideas. I use this note to write ideas about the plot, characters, dialogue…anything that I want to work into the story.

Two other things. You can tag your notes by typing in tags in the top toolbar.

image

I don’t use tags in Evernote, but it might be useful for you, depending on how you set up your notebooks and notes. For example, you could tag all of your character-related notes “characters” and then if you wanted to see them all together (even across notebooks), they would be linked together with the tag.

Also, you can email notes by clicking on the gray arrow at the top right.

image

That’s helpful if you want to email a copy of a note to yourself (as a backup) or to someone else.

If you use Evernote to draft a story (one note for Chapter 1, another note for Chapter 2), I strongly recommend that you email yourself copies of the notes or copy and paste them into a word processing document. Back up your writing in at least one place outside Evernote, just in case anything happens to your notebooks.

That's how I use Evernote to help me write fiction. What do you do with Evernote?

Monday, May 13, 2013

Seven Ways to Watch a DVD

I recommend trying at least one of the following on a repeat viewing, and it may or may not increase your enjoyment of the film.

Don't do these the first time you watch a movie because you might get angry, annoyed, or frustrated, and that is not my intention. (The goal when watching movies is either to have fun or to broaden your experiences.)

1. On mute. No sound means you're going to pay more attention to visual details: lighting, camera angles, cuts, composition, and body language. If you want to improve your awareness of these elements (say, for a film class or to impress your movie buff friend), definitely watch a movie on mute.

2. Dubbed in a foreign language. If you're studying a foreign language, here's an opportunity to work on your listening skills, especially if you don't have the story memorized.

3. Watch side characters and ignore the main character when he/she is on screen. I don't realize all the acting that goes on in the background, and I bet neither do you. Here's a way to notice that.

4. Turn on commentary. Good for director's explanations, cast stories from the set, and random bits of trivia.

5. Skip every other scene. (Not recommended for movies that involve heavy time travel.) I haven't tried this yet, but I imagine it's sort of like Choose Your Own Adventure with more fixed parameters.

6. Watch with headphones on. The movie will sound different from the time you watched it on TV or in the theater, and in a cool way.

7. Create your own intermission. Break the movie into two or three parts, with a fifteen minute break in between each part. (Or break for however long you like. Doesn't matter to me.) When you pull away from the movie and give your mind some time to process what you've already seen, you might pick up on something that you normally would not have realized until the movie was over.

Friday, May 10, 2013

The Netflix Game

One of my favorite games is The Netflix Game. I haven't talked to anyone about this, so it might be my invention or maybe loads of other people do it too. (Let me know in the comments if you do.)

This is how you play. You choose one element you want in a movie. For example, specific genre, a certain actor, earlier works of a director, John Williams soundtrack...It can be any element you want.

You search for movies on Netflix that meet that one criteria (and that you haven't seen before, if that wasn't obvious). Depending on what your element is, you might have to enlist help from IMDB and/or Rotten Tomatoes. When you find potential movies, do not read the plot summary or reviews or cast listings or anything about the movie.

Find the potentials that are rated at least 4 red stars. Those are Netflix's predictions about how much you will enjoy the movie. Add one of those to your Netflix queue.

When you watch that movie, you have almost zero information on it (assuming you didn't cheat). You might not have any expectations of it (which is fun!) and hopefully, you'll enjoy it because Netflix thought you would, and Netflix's rating system is four kinds of wonderful.

There are no points in this game, but you can consider a "win" when you enjoy the movie and a "loss" when Netflix's prediction lets you down.

So yesterday I played the Netflix Game with Runaway Jury and it was a win. My One Element was John Cusack as a main character. I got bonuses, though, because Dustin Hoffman and Gene Hackman were in the movie too (and I didn't know that until I was watching. More fun when you don't cheat, see?). Netflix predicted four stars for me, and yes, I liked the movie but didn't love it.

It's a good way to spend rainy afternoons, the Netflix Game.

Wednesday, May 8, 2013

Don't push your content down the page

I went to Mashable to read this article about YouTube's new paid subscription model. The page loaded and I saw this:


The big headline is nice, but I don't care about the shares and likes when I haven't even read the article. Everything else is ads, ads, ads. So I scrolled down to this:


A huge photo of the YouTube logo...and the image doesn't tell me any other information. Under that in relatively tiny font, is the article. (Also, notice that the text on the National Geographic ad is easier to read than the article text. Priorities.)

I'm all for visually interesting pages, but don't make me scroll down an entire screen length before I can read the article. The first word in the headline is "YouTube," so I know that's the subject of the article. The huge logo wastes space, and it's unnecessary.

The page layout gets in the way of what should be most important—content.

Sunday, May 5, 2013

When Community plays like a comic book

Spoilers for 4.12 "Heroic Origins."

Over the past four years, genre episodes have been some of Community's best episodes. We have a new but familiar environment that lets us learn about the characters. In this week's "Heroic Origins," Abed maps out how the characters' paths crossed before they became a study group at Greendale.

The comic book references are plentiful:
  • Jeff is the bad guy who turned good
  • Abed sees himself as the villain, but everyone is a villain and a hero in some way ("We're all Spider-Man")
  • Everyone was a catalyst for at least one character ("We're all Uncle Ben's murderer")
  • Dean Spreck at City College uses a voice modulator for an evil laugh and has blueprints for a killer robot
  • Comic book panels and text act as transitions throughout the episode
  • We learn more about each character's back origin story (and at the yogurt shop, "Don't You (Forget About Me)" from The Breakfast Club plays, which calls back to the first episode of Community)
  • Abed mentions the movie Unbreakable a few times
  • The story was in fragmented pieces, much like Heroes

Despite all of these references to comic books and superhero stories, the essence of Community is still there. Abed's unique point of view helps the characters learn and understand more about themselves. The situation turns sour with everyone feeling angry or uncomfortable but at the end, Jeff thanks Abed for his insight and the whole group is grateful for it.